| 000 | 01841cam a2200325 i 4500 | ||
|---|---|---|---|
| 001 | 17740487 | ||
| 003 | BD-DhUL | ||
| 005 | 20200106142054.0 | ||
| 008 | 130516s2014 nyu b 001 0 eng | ||
| 020 | _a9780415854306 | ||
| 020 | _z9780203744420 | ||
| 040 |
_aDLC _beng _cDLC _erda _dDLC _dBD-DhUL |
||
| 082 | 0 | 0 |
_a384.33 _bSCO |
| 100 | 1 | _aSchwarz, Jonas Andersson. | |
| 245 | 1 | 0 |
_aOnline file sharing : _binnovations in media consumption / _cJonas Andersson Schwarz. |
| 264 | 1 |
_aNew York : _bRoutledge, _cc2014. |
|
| 300 |
_axi, 236 p. ; _c24 cm. |
||
| 336 |
_atext _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
||
| 338 |
_avolume _2rdacarrier |
||
| 504 | _aIncludes bibliographical references and index. | ||
| 520 |
_a"It is apparent that file sharing on the Internet has become an emerging norm of media consumption especially among young people. This book provides a critical perspective on this phenomenon, exploring issues related to file sharing, downloading, peer-to-peer networks, "piracy," and (not least) policy issues regarding these practices. Andersson Schwartz critically engages with the justificatory discourses of the actual file-sharers, taking Sweden as a geographic focus. By focusing on the example of Sweden home to both The Pirate Bay and Spotify he provides a unique insight into a mentality that drives both innovation and deviance and accommodates sharing in both its unadulterated and its compliant, business-friendly forms"-- _cProvided by publisher. |
||
| 650 | 0 |
_aPeer-to-peer architecture _xSocial aspects. |
|
| 650 | 0 |
_aComputer file sharing _xTechnological innovations. |
|
| 650 | 0 | _aSocial media. | |
| 650 | 7 |
_aSOCIAL SCIENCE / Media Studies. _2bisacsh |
|
| 650 | 7 |
_aCOMPUTERS / Social Aspects / General. _2bisacsh |
|
| 650 | 7 |
_aCOMPUTERS / Internet / Security. _2bisacsh |
|
| 942 |
_2ddc _cBK |
||
| 999 |
_c80444 _d80444 |
||