| 000 | 01377nam a2200301 a 4500 | ||
|---|---|---|---|
| 001 | EDZ0000076298 | ||
| 003 | StDuBDS | ||
| 005 | 20150804193928.0 | ||
| 006 | m||||||||d|||||||| | ||
| 007 | cr|||||||||||| | ||
| 008 | 100908s2010 enka fo 001 0 eng d | ||
| 020 |
_a9780191594595 (ebook) : _cNo price |
||
| 040 |
_aStDuBDS _cStDuBDS |
||
| 050 | 4 | _aMT68 | |
| 082 | 0 | 4 |
_a781.36 _222 |
| 100 | 1 |
_aBerkowitz, Aaron, _d1978- |
|
| 245 | 1 | 4 |
_aThe improvising mind _h[electronic resource] : _bcognition and creativity in the musical moment / _cAaron L. Berkowitz. |
| 260 |
_aOxford : _bOxford University Press, _c2010. |
||
| 300 |
_a1 online resource (xxv, 205 p.) : _bill. |
||
| 520 | 8 | _aThe ability to improvise represents one of the highest levels of musical achievement. Yet what musical knowledge is required for improvisation? How does a musician learn to improvise? What are the neural correlates of improvised performance? These are some of the questions explored in this unique and fascinating work. | |
| 588 | _aDescription based on print version record. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 650 | 0 | _aImprovisation (Music) | |
| 650 | 0 |
_aMusic _xPsychological aspects. |
|
| 650 | 0 | _aCognition. | |
| 776 | 0 | 8 |
_iPrint version _z9780199590957 |
| 856 | 4 | 0 |
_3Oxford scholarship online _uhttp://dx.doi.org/10.1093/acprof:oso/9780199590957.001.0001 |
| 999 |
_c37134 _d37134 |
||