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001			19364994
003			BD-DhUL
005			20171127104124.0
008			151026t20162016enk b 001 0 eng d
010			_a 2016497309
015			_aGBB5F9630 _2bnb
020			_a9781784534172 _q(hardback)
020			_a178453417X _q(hardback)
020			_a9781784534189 _q(pbk.)
020			_a1784534188 _q(pbk.)
020			_z9780857728722 _q(eISBN)
035			_a(OCoLC)ocn939531359
040			_aYDXCP _beng _cYDXCP _erda _dBDX _dOCLCO _dS3O _dNLE _dCLU _dOCLCF _dOCLCQ _dCDX _dIWA _dIXA _dOCLCO _dUAB _dOCL _dOCLCO _dIBI _dDLC _dBD-DhUL
041	1		_aeng _hper
042			_alccopycat
043			_aa-ir---
050	0	0	_aPN1995.67.I7 _bR3413 2016
082	0	4	_a791.430955 _223 _bRAI
100	1		_aRahbaran, Shiva, _d1970- _eauthor, _etranslator.
245	1	0	_aIranian cinema uncensored : _bcontemporary film-makers since the Islamic revolution / _cShiva Rahbaran ; translated by Maryam Mohajer and Shiva Rahbaran.
264		1	_aLondon ; New York : _bI.B. Tauris, _c2016.
264		4	_c©2016
300			_axx, 268 p. ; _c23 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
365			_aGBP _b17.99
490	0		_aInternational library of the moving image ; _v36
504			_aIncludes bibliographical references and index.
505	0	0	_gIntroduction: new Iranian cinema in its cultural, historical and political context -- _g1. _tMohammad Beheshti: the role of post-revolutionary institutions in the development of Iranian cinema -- _g2. _tBahram Beyzaie: the myth of revolutionary cinema -- _g3. _tAbbas Kiarostami: where is the revolution? -- _g4. _tDariush Mehrjui: Islamic ideology and post-revolutionary intellectual films -- _g5. _tBahman Farmanara: exporting new Iranian cinema -- _g6. _tRakhshan Bani-Etemad: cinema as a mirror of the urban image -- _g7. _tMajid Majidi : the revolution and the cleansing of film Farsi -- _g8. _tJafar Panahi: cinema and resistance -- _g9. _tTahmineh Milani: new Iranian cinema and the education of the masses -- _g10. _tEbrahim Hatamikia: cinema, war and peace -- _g11. _tMohsen Makhmalbaf: an interview that never was.
520			_aIn this unique book, twelve of the most renowned and important filmmakers of contemporary Iran speak candidly about creating cinema in a revolutionised and traumatised society. They reflect on the Iranian revolution and the influence of its aftermath on their work, as well as the effects of their work on audiences worldwide. They offer first-hand insights into the influence they have had on the making of Iran's image; how the seeds of New Iranian Cinema were sown decades before the revolution and how these seeds grew into a cinema that became a global phenomenon, despite censorship, ideology wars, sanctions and political isolation; and how they took sustenance from the works of western and global cineastes as well as from the long tradition of art and poetry of Iran.
546			_aTranslated from the Persian.
650		0	_aMotion pictures _zIran _xHistory.
650		0	_aMotion picture producers and directors _zIran _vInterviews.
650		0	_aMotion pictures _xCensorship _zIran.
651			_aIran.
700	1		_aMohajer, Maryam, _etranslator.
830		0	_aInternational library of the moving image ; _v36.
906			_a7 _bcbc _ccopycat _d3 _encip _f20 _gy-gencatlg
942			_2ddc _cBK
955			_bhf07 2017-01-18 z-processor _ihf07 2017-01-30 to BCCD
999			_c232472 _d232472