000 06720cam a2200793 i 4500
001 ocn890011578
003 OCoLC
005 20171026111955.0
006 m o d
007 cr |||||||||||
008 140903s2014 nju o 001 0 eng
010 _a 2014035262
020 _a9781118852736 (ePub)
020 _a1118852737 (ePub)
020 _a9781118852743 (Adobe PDF)
020 _a1118852745 (Adobe PDF)
020 _z9781119975823 (hardback)
020 _a9781118852750
020 _a1118852753
020 _a1322110476 (ebk)
020 _a9781322110479 (ebk)
020 _a1119975824
020 _a9781119975823
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035 _a(OCoLC)890011578
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082 0 0 _a363.25/2
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084 _aLAW041000
_2bisacsh
100 1 _aMarsh, Nick
_q(Nicholas)
245 1 0 _aForensic photography : a practitioner's guide /
_cNick Marsh.
_h[electronic resource]
264 1 _aHoboken, New Jersey :
_bJohn Wiley & Sons Inc.,
_c2014.
300 _a1 online resource.
336 _atext
_2rdacontent
337 _acomputer
_2rdamedia
338 _aonline resource
_2rdacarrier
500 _aIncludes index.
504 _aIncludes bibliographical references and index at the end of each chapters.
505 0 _aTitle Page; Copyright; Foreword; Preface; Acknowledgements; About the Companion Website; Chapter 1: Image Processing; 1.1 Introduction; 1.2 The digital image; 1.3 Image acquisition; 1.4 Colour images; 1.5 The imaging chain and workflow; 1.6 White balance; 1.7 Image histogram; 1.8 Image processing terminology; 1.9 Digital image processing operations; 1.10 Classes of operations; 1.11 Noise reduction; 1.12 Sharpening filters; 1.13 History log; 1.14 Layers; 1.15 Bit depth and dynamic range; 1.16 File formats; 1.17 Image compression; 1.18 Image processing at image capture
505 8 _a1.19 Properties of common formats1.20 Image archiving and the audit trail; 1.21 Printing images; 1.22 Image storage; 1.23 Summary; Notes; Chapter 2: Cameras and Lenses; 2.1 Overview; 2.2 Cameras; 2.3 Exposure; 2.4 ISOs; 2.5 The shutter; 2.6 F-stops and apertures; 2.7 So what is the correct exposure?; 2.8 Metering modes; 2.9 Getting the right exposure; 2.10 Dynamic range; 2.11 Depth of field and focus; 2.12 Lenses; Reference; Notes; Chapter 3: The Use of Flash; 3.1 How does it work?; 3.2 Guide numbers; 3.3 Flash modes; 3.4 The inverse square law (ISL); 3.5 The practical application of flash
505 8 _a3.6 Types of flashChapter 4: Crime Scene Photography; 4.1 Overview; 4.2 Personal protective equipment (PPE); 4.3 The generics of scene photography; 4.4 Photographic equipment; 4.5 Composition; 4.6 Specific types of scenes; 4.7 Appendix 1: Trouble-shooting; References; Notes; Chapter 5: Light as a Forensic Photographer's Tool; 5.1 Overview of alternative light sources (ALS); 5.2 The Electromagnetic Spectrum (EMS); 5.3 Fluorescence; 5.4 Alternative light sources; 5.5 Filters; 5.6 Infrared (IR); 5.7 White light; 5.8 Conclusion; References; Notes; Chapter 6: The Photography of Injuries
505 8 _a6.1 Overview6.2 The nature of injuries; 6.3 The photography; 6.4 Before we start; 6.5 Techniques and equipment required; 6.6 The colour reference; 6.7 Reflected Ultraviolet (UV); 6.8 Lenses; 6.9 Lighting; 6.10 Capturing the image; References; Further useful reading; Notes; Chapter 7: Finger and Shoe Mark Photography; 7.1 Overview; 7.2 The nature of finger marks; 7.3 Shoe marks; 7.4 Equipment; 7.5 Lighting techniques; 7.6 Chemically enhanced marks; 7.7 Latent marks; 7.8 Shoe marks; 7.9 Tyre marks; 7.10 Blood enhancement techniques; References; Notes
505 8 _aChapter 8: The Proactive Use of Light in Forensic Photography8.1 Overview; 8.2 The detection of body fluids using an alternative light source; 8.3 Inks; 8.4 Sign writing; 8.5 The detection of blood; 8.6 Luminol; 8.7 Other uses of Infrared (IR); References; Notes; Chapter 9: Specialist Equipment and Techniques; 9.1 Peripheral cameras; 9.2 Object modelling; 9.3 Multi-spectral imaging camera; 9.4 High speed imaging; 9.5 UVC photography; References; Notes; Chapter 10: Panoramic (Immersive or 360°) and Elevated imaging; 10.1 Overview; 10.2 Spheron; 10.3 Digital Single Lens Reflex 360°
520 _a"Forensic photography plays a vitally important part in the investigation of crime and the subsequent administration of justice. Written by a practitioner with many years professional experience, this book provides an overview of the most common forensic photography techniques in use today for those readers who may not have a detailed understanding of camera techniques and who need to get to grips with the use of light and other key scientific aspects of the job. It covers image capture issues, file handling and relevant equipment, such as lasers and UV lights, and explores how they work. The predominance of the digital camera has resulted in an increasing trend for police forces across the world to use untrained camera users, rather than expert photographers. Therefore, this book will prove invaluable for those practitioners who need to produce accurate and clear photographic evidence, above and beyond the point and shoot mode on their cameras. "--
_cProvided by publisher.
520 _a"A practical, hands-on guide that explores the latest technologies, the most common forensic photography techniques and how to achieve optimum results at any given crime scene"--
_cProvided by publisher.
588 _aDescription based on print version record and CIP data provided by publisher.
650 0 _aLegal photography.
650 0 _aPhotography
_xDigital techniques.
650 7 _aLAW / Forensic Science.
_2bisacsh
650 7 _aLegal photography.
_2fast
_0(OCoLC)fst00995515
650 7 _aPhotography
_xDigital techniques.
_2fast
_0(OCoLC)fst01061736
655 4 _aElectronic books.
655 7 _aElectronic books.
_2local
655 0 _aElectronic books.
776 0 8 _iPrint version:
_aMarsh, Nick (Nicholas)
_tForensic photography
_dHoboken, New Jersey : John Wiley & Sons Inc., 2014
_z9781119975823
_w(DLC) 2014029361
856 4 0 _uhttp://onlinelibrary.wiley.com/book/10.1002/9781118852750
_zWiley Online Library
942 _2ddc
_cBK
999 _c207653
_d207653