000			06249cam a2200733 i 4500
001			ocn885547768
003			OCoLC
005			20171026132745.0
006			m o d
007			cr |||||||||||
008			140806s2014 enk ob 001 0 eng
010			_a 2014031593
020			_a9781118585429 _q(ePub)
020			_a1118585429 _q(ePub)
020			_a9781118585368 _q(Adobe PDF)
020			_a1118585364 _q(Adobe PDF)
020			_a9781118585405
020			_a1118585402
020			_z9781444338997 _q(cloth)
029	1		_aNLGGC _b390946192
029	1		_aDEBBG _bBV043397024
035			_a(OCoLC)885547768 _z(OCoLC)904208973
040			_aDLC _beng _erda _epn _cDLC _dDG1 _dN$T _dOCLCF _dRECBK _dYDXCP _dOCLCO _dEBLCP _dOCLCQ _dOCLCO _dDEBBG
042			_apcc
043			_ae-fr---
049			_aMAIN
050	0	0	_aPN1993.5.F7
072		7	_aPER _x009000 _2bisacsh
082	0	0	_a791.430944 _223
245	0	2	_aA companion to contemporary French cinema / _cedited by Raphaelle Moine, Hilary Radner, Alistair Fox & Michel Marie. _h[electronic resource]
264		1	_aChichester, West Sussex [England] ; _aMalden, MA : _bJohn Wiley & Sons, _c2014.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aWiley-Blackwell companions to national cinemas
504			_aIncludes bibliographical references and index.
505	0		_aCover; Series page; Title page; Copyright page; List of Contributors; Acknowledgments; Editorial Practice; Introduction; Contexts: Institutional, Political, Cultural, and Economic; Characteristics of Contemporary French Cinema; Thematic Preoccupations; Trends, Developments, and the Future of French Cinema; Part I: Economic, Institutional, and Political Contexts; 1 The Political Economy of French Cinema; Changing Patterns of Cinema Attendance; Cinematic Production and Its Outcomes; The Competitiveness of French Cinema and Market Share; Concentration and Diversity.
505	8		_aThe Transformation of the Pool of TheatersThe Future of Cinematic Theaters; Conclusion; 2 "Do We Have the Right to Exist?" French Cinema, Culture, and World Trade; France; Europe: Television Without Frontiers; Cultural Exception: GATT; Cultural Diversity: MAI/UNESCO; Conclusion; 3 Historicizing Contemporary French Blockbusters; A Tentative Typology; "Cultural Diversity" or Cultural Crisis?; The Second Lang Plan (1989-1993); The Maturation of a "Forced Marriage"; StudioCanal in the Crosshairs; A New Oligopoly?; Conclusion; 4 Moving Between Screens.
505	8		_aThe Role of Television in the Financing of CinemaArte as a Stimulus and Sponsor of the New Cinema; A Cinema of Collections; Realism and Television; The Revival of Documentary; Films/Telefilms: A Play of Mirrors; "Television Films" and Cinema Formatting; From Comic Television to Comedy in Cinemas; Cinema and Televised Series; Conclusion; 5 Contemporary Political Cinema; Taking Stock: Working-Class Histories and the Exit from Fordism; Outsiders and Victims, Ethics and Politics; Political Effectiveness; New Departures?; 6 Diasporic and Postcolonial Cinema in France from the 1990s to the Present.
505	8		_aAuteur-led Productions and the "Return" of the Politicalin Diasporic and Postcolonial Cinema Since the 1990sFrom Margins to the Mainstream: Postcolonial Comedy and the Mainstreaming of Maghrebi-French Filmmakers in the 2000s; Memorializing Colonial History: From Neo-Colonial to "Counter-Heritage" Cinema; Return Narratives in Diasporic Cinema of the 2000s; Beyond Ethnicity? Reconfiguring Difference in Diasporic Cinema; Part II: Auteurs and Auteurism; 7 The Veterans of the New Wave, Their Heirs, and Contemporary French Cinema; The Extraordinary Fecundity of the Veterans of the New Wave.
505	8		_aThe Quartet of Founding Members: Chabrol, Rohmer, Rivette, GodardThe "Left Bank" of the New Wave; A Problematical Legacy; Epilogue: The Enduring Influence of Bresson and Pialat; 8 Was There a Young French Cinema?; To What Does the Term "Young French Cinema" Refer?; The Arrival of the New Cinema; The Counter-Attack of Positif; Maturity and Defining Parameters; New Appraisals, New Perspectives; Consensus and Uncertainties; What Remains of the Young French Cinema?; 9 Auteurism, Personal Cinema, and the Fémis Generation; Characteristics of Auteur Cinema; Categories of Auteur Directors.
520			_aA Companion to Contemporary French Cinema presents acomprehensive collection of original essays addressing all aspectsof French cinema from 1990 to the present day. Features original contributions from top film scholarsrelating to all aspects of contemporary French cinema Includes new research on matters relating to thepolitical economy of contemporary French cinema, developments incinema policy, audience attendance, and the types, building, andrenovation of theaters Utilizes groundbreaking research on cinema beyond thefiction film and the cinema-theater such as documentary, amateur, and digit.
588	0		_aPrint version record and CIP data provided by publisher.
648		7	_a1900 - 2099 _2fast
650		0	_aMotion pictures _zFrance _xHistory _y20th century.
650		0	_aMotion pictures _zFrance _xHistory _y21st century.
650		4	_aMotion picture industry _zFrance _xHistory.
650		4	_aMotion pictures _zFrance _xHistory _y20th century.
650		4	_aMotion pictures _zFrance _xHistory _y21st century.
650		7	_aPERFORMING ARTS _xReference. _2bisacsh
650		7	_aMotion pictures. _2fast _0(OCoLC)fst01027285
651		7	_aFrance. _2fast _0(OCoLC)fst01204289
655		4	_aElectronic books.
655		7	_aHistory. _2fast _0(OCoLC)fst01411628
700	1		_aMoine, Raphaëlle, _eeditor.
700	1		_aRadner, Hilary, _eeditor.
700	1		_aFox, Alistair, _eeditor.
700	1		_aMarie, Michel, _d1945- _eeditor.
776	0	8	_iPrint version: _tCompanion to contemporary French cinema. _dChichester, West Sussex [England] ; Malden, MA : John Wiley & Sons, 2014 _z9781444338997 _w(DLC) 2014018381
830		0	_aWiley-Blackwell companions to national cinemas.
856	4	0	_uhttp://onlinelibrary.wiley.com/book/10.1002/9781118585405 _zWiley Online Library
942			_2ddc _cBK
999			_c207600 _d207600