000			02062nam a22003378a 4500
001			CR9780511732539
003			UkCbUP
005			20170413094208.0
006			m|||||o||d||||||||
007			cr||||||||||||
008			100316s2011||||enk s ||1 0|eng|d
020			_a9780511732539 (ebook)
020			_z9781107000803 (hardback)
020			_z9780521170420 (paperback)
040			_aUkCbUP _cUkCbUP _erda
050	0	0	_aML74 _b.E83 2012
082	0	0	_a786.7 _223
100	1		_ad'Escriván, Julio, _eauthor.
245	1	0	_aMusic Technology / _cJulio d'Escriván.
264		1	_aCambridge : _bCambridge University Press, _c2011.
300			_a1 online resource (234 pages) : _bdigital, PDF file(s).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aCambridge Introductions to Music
500			_aTitle from publisher's bibliographic system (viewed on 09 Oct 2015).
520			_aEmphasising the creative aspect of music technology, this introduction sets out an overview of the field for music students in a non-scientific and straightforward way. Engaging and user-friendly, the book covers studio concepts: basic audio and the studio workflow, including audio and MIDI recording. It explores synthesisers, samplers and drum machines as well as basic concepts for electronic performance. In considering the role of the DJ, the book addresses remixing and production, drawing upon many examples from the popular music repertoire as well as looking at the studio as an experimental laboratory. The creative workflow involved in music for media is discussed, as well as controllers for performance and the basics of hacking electronics for music. The book as a whole reflects the many exciting areas found today in music technology and aims to set aspiring musicians off on a journey of discovery in electronic music.
776	0	8	_iPrint version: _z9781107000803
830		0	_aCambridge Introductions to Music.
856	4	0	_uhttp://dx.doi.org/10.1017/CBO9780511732539
999			_c179269 _d179269