000			03681cam a2200505Ma 4500
001			4246727
003			BD-DhUL
005			20170102163838.0
006			m o d
007			cr cn|||||||||
008			000807s1992 flua ob 001 0 eng d
020			_a0813019885 _q(electronic bk.)
020			_a9780813019888 _q(electronic bk.)
020			_z0813011396 _q(alk. paper)
035			_a(OCoLC)ocm44957108
035			_a(NNC)4246727
035			_a(OCoLC)44957108 _z(OCoLC)961635382 _z(OCoLC)962597338
040			_aN$T _beng _epn _cBD-DhUL _dOCL _dOCLCQ _dYDXCP _dOCLCG _dOCLCQ _dTUU _dOCLCQ _dTNF _dOCLCQ _dNHA _dZCU _dOCLCQ _dOCLCF _dNLGGC _dOCLCQ
049			_aZCUA
050		4	_aPS3531.O82 _bZ7146 1992eb
072		7	_aPOE _x005010 _2bisacsh
082	0	4	_a811.52 _220 _bFRE
100	1		_aKuberski, Philip.
245	1	2	_a Ezra Pound / _cPhilip Kuberski.
260			_aGainesville : _bUniversity Press of Florida, _cc1960.
300			_a1 online resource (xiii, 203 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
504			_aIncludes bibliographical references (pages 197-200) and index.
505	0		_aA calculus of Ezra Pound -- In the American archive -- The economy of romance -- Anti-semitism and the enlightenment of signs -- Totalitarian history -- Pound's sacred technology.
520			_aThat the beauty of Ezra Pound's late Cantos can appear - on the same page - with the rankest anti-Semitism continues to be a problem worth serious discussion, as well as a problem in the understanding of modernism. Philip Kuberski locates the central tension between Pound's poetry and his politics in the contrast between the poet's technical innovations - his commitment to modernist writing - and his antimodernist conception of reading and esthetics. Few twentieth-century poets, Kuberski says, have been "as dedicated to a reconciliation of metaphysical values and the materiality of human languages." Focusing on this juncture of form and meaning, he asserts that Pound's work presents "a dramatic, perhaps tragic, illustration of the costs involved in moving from a theocentric or logocentric understanding of art to a truly modern or postmodern understanding of it." Kuberski also considers the ways in which Pound's career reflects an extreme version of tensions in American culture. Both Pound's poetry and his fascism can be derived from elements of American Romanticism, he claims, citing Emerson's exposition of "natural" language, Whitman's sense of the poet as Adamic Superman, and Poe's exploration of nonalphabetic scripts. In his title and his terminology, Kuberski employs the metaphor of stones, a calculating device, to chart Pound's overt concerns with a stone-like foundation for human knowledge, for origin, and for civilization.
588	0		_aPrint version record.
600	1	0	_aPound, Ezra, _d1885-1972 _xCriticism and interpretation.
600	1	4	_aPound, Ezra, _d1885-1972.
600	1	7	_aPound, Ezra, _d1885-1972. _2fast _0(OCoLC)fst00029337
650		0	_aNational characteristics, American, in literature.
650		7	_aPOETRY _xAmerican _xGeneral. _2bisacsh
650		7	_aNational characteristics, American, in literature. _2fast _0(OCoLC)fst01033350
655		4	_aElectronic books.
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
776	0	8	_iPrint version: _aKuberski, Philip. _tCalculus of Ezra Pound. _dGainesville : University Press of Florida, ©1992 _z0813011396 _w(DLC) 92003806 _w(OCoLC)25282235
856	4	0	_uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4246727 _zAll EBSCO eBooks
942			_2ddc _cBK
999			_c145507 _d145507