Producing pop : culture and conflict in the popular music industry - Negus, Keith (London ; New York ; Melbourne : Edward Arnold, 1992)
Machine derived contents note: Introduction: Between the artist and audience -- Feeding the world: popular music and the global entertainment industry -- Music machines: technology and popular music -- Priorities and prejudice: Artists and Repertoire and the acquisition of artists -- Images, identities and audiences: READ ing and artist development -- Studios and videos: the production of sound and vision -- Promotional war games: pop radio in Britain and North America -- Media matchmakers: press, publicity and performance - stores and dance floors -- Between success and failure: collaboration and conflict in the recording industry -- Conclusion: commerce, chaos and cultural change -- Appendices -- Bibliography -- Index.
Includes bibliographical references (p. [161]-168) and index.
Includes bibliographical references (p. [161]-168) and index.
Keywords: Music trade -- Great Britain; Music trade -- United States; Rock music -- Great Britain; Rock music -- United States; Rock music -- Vocational guidance