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  <titleInfo>
    <title>Embodied visions</title>
    <subTitle>evolution, emotion, culture, and film</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Grodal, Torben Kragh.</namePart>
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    <place>
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    <publisher>Oxford University Press</publisher>
    <dateIssued>c2009</dateIssued>
    <dateIssued encoding="marc">2009</dateIssued>
    <issuance>monographic</issuance>
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    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <form authority="gmd">electronic resource</form>
    <extent>1 online resource (viii, 324 p.) : ill.</extent>
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  <abstract>Torben Grodal presents an analysis of film through the lens of bioculturalism, revealing how human biology as well as human culture determine how films are made and experienced. He uses the breakthroughs of modern brain science to explain features of film aesthetics and to construct a general model of aesthetic experience.</abstract>
  <targetAudience authority="marctarget">specialized</targetAudience>
  <note type="statement of responsibility">Torben Grodal.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <topic>Psychological aspects</topic>
  </subject>
  <classification authority="lcc">PN1995</classification>
  <classification authority="ddc" edition="22">791.43019</classification>
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  <identifier type="isbn">9780199870585 (ebook) :</identifier>
  <identifier type="uri">http://dx.doi.org/10.1093/acprof:oso/9780195371314.001.0001</identifier>
  <location>
    <url displayLabel="Oxford scholarship online">http://dx.doi.org/10.1093/acprof:oso/9780195371314.001.0001</url>
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