01740nam a2200373 a 4500001001400000003000800014005001700022006001900039007001500058008004100073020003800114040002100152050001400173082001700187100002500204245012700229260005800356300003800414520025500452588004700707504005100754650006100805650006100866650006200927650006200989650003301051650003301084650004001117650001901157650004301176650002301219776003301242856009101275EDZ0000038705StDuBDS20150804193936.0m||||||||d||||||||cr||||||||||||110826s2011    nyu    fo|    001 0 eng d  a9780199896950 (ebook) :cNo price  aStDuBDScStDuBDS 4aPR468.A7604a820.93572231 aParkes, Adam,d1966-12aA sense of shockh[electronic resource] :bthe impact of Impressionism on modern British and Irish writing /cAdam Parkes.  aNew York ;aOxford :bOxford University Press,c2011.  a1 online resource (xviii, 284 p.)8 aExamines the various, complex relations between impressionist texts and contexts in modern British and Irish works by Bowen Conrad, Ford, James, Wilde, Woolf, and others, to argue that literary impressionism was an emphatically historical phenomenon.  aDescription based on print version record.  aIncludes bibliographical references and index. 0aEnglish literaturey19th centuryxHistory and criticism. 0aEnglish literaturey20th centuryxHistory and criticism. 0aArt and literaturezGreat BritainxHistoryy19th century. 0aArt and literaturezGreat BritainxHistoryy20th century. 0aImpressionism in literature. 0aVisualization in literature. 0aImagery (Psychology) in literature. 0aImpressionism. 0aModernism (Literature)zGreat Britain. 7aLiterature.2eflch08iPrint versionz9780195383812403Oxford scholarship onlineuhttp://dx.doi.org/10.1093/acprof:oso/9780195383812.001.0001