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  <titleInfo>
    <title>Antithetical arts</title>
    <subTitle>on the ancient quarrel between literature and music</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Kivy, Peter.</namePart>
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    <place>
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    <place>
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    <publisher>Oxford University Press</publisher>
    <dateIssued>c2009</dateIssued>
    <dateIssued encoding="marc">2009</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <form authority="gmd">electronic resource</form>
    <extent>1 online resource (ix, 275 p.)</extent>
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  <abstract>Peter Kivy presents a critical examination of the two rival ways of understanding instrumental music. He argues against 'literary' interpretation in terms of representational or narrative content, and defends musical formalism. He also discusses interpretations of a range of works in the canon.</abstract>
  <targetAudience authority="marctarget">specialized</targetAudience>
  <note type="statement of responsibility">Peter Kivy.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <topic>Music and literature</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Absolute music</topic>
  </subject>
  <classification authority="lcc">ML3849</classification>
  <classification authority="ddc" edition="22">780.08</classification>
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  <identifier type="isbn">9780191721298 (ebook) :</identifier>
  <identifier type="uri">http://dx.doi.org/10.1093/acprof:oso/9780199562800.001.0001</identifier>
  <location>
    <url displayLabel="Oxford scholarship online">http://dx.doi.org/10.1093/acprof:oso/9780199562800.001.0001</url>
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