02147cam a22003497i 450000100090000000300080000900500170001700800410003401000170007502000240009203500240011604000430014004200140018305000230019708200180022010000250023824501060026326400470036930000570041636500160047349000500048950400800053952006410061965000170126065000200127783000560129794200120135395500670136599900190143295201730145195201730162420236854BD-DhUL20210819122418.0180103s2017    nyuaf    b    001 0 eng    a  2017297111  a9781138241954 (hbk)  a(OCoLC)ocn974982371  aERASAbengerdacERASAdOCLCOdBD-DhUL  alccopycat00aN7668.D6bS88 201704a704.9432bSUA1 aSutton, Elizabeth A.00aArt, animals, and experience : brelationships to canines and the natural world / cElizabeth Sutton. 1aNew York ; aLondon : bRoutledge, c2017.  axii, 138 p., [8] pages of plates : bill. ; c26 cm.  aGBPb115.000 aRoutledge Advances in Art and Visual Studies.  aBibliography : p. 121 - 135.
Includes bibliographical references and index.8 a"Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world. Using Rembrandt van Rijn's etching of The Presentation in the Temple (c. 1640), Joseph Beuys's social sculpture I Like America and America Likes Me (1974), archaic rock paintings at Horseshoe Canyon, Canyonlands National Park, and examples from contemporary art, this book demonstrates how artists across time and cultures employed animals to draw attention to the sensory experience of the composition and reflect upon the shared sensory awareness of the world."--Cover page 4. 0aDogs in art. 0aAnimals in art. 0aRoutledge advances in art and visual studies ;v24.  2ddccBK  bxn11 2018-01-03 z-processor to USASHirk11 2018-07-03 to Dewey  c254072d254072  00102ddc406704_943200000000000_SUA708NFIC9387718aDULbDULcGENd2020-02-09ePurchasedo704.9432 SUAp518701r2021-06-20t1w2021-06-20yBKxtr. to History of art  00102ddc406704_943200000000000_SUA708NFIC9387719aDULbDULcGENd2020-02-09ePurchasedo704.9432 SUAp518702r2021-06-20t2w2021-06-20yBKxtr. to History of art