02486nam a22003498a 4500001001600000003000700016005001700023006001900040007001500059008004100074020002600115020002900141020003000170040002400200050002400224082001800248100003300266245011300299264005200412300005900464336002600523337002600549338003600575490004200611500007300653520119100726650003901917700003101956776003501987830004302022856007102065CR9781139016391UkCbUP20180107143417.0m|||||o||d||||||||cr||||||||||||110215s2013||||enk     s     ||1 0|eng|d  a9781139016391 (ebook)  z9780521844499 (hardback)  z9780521606226 (paperback)  aUkCbUPcUkCbUPerda00aPN2053 b.I525 201300a792.02/332231 aInnes, Christopher,eauthor.14aThe Cambridge Introduction to Theatre Directing / [electronic resource]cChristopher Innes, Maria Shevtsova. 1aCambridge :bCambridge University Press,c2013.  a1 online resource (298 pages) :bdigital, PDF file(s).  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier0 aCambridge Introductions to Literature  aTitle from publisher's bibliographic system (viewed on 09 Oct 2015).  aThis Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors, designers, other collaborators and audiences, and treatment of dramatic material. Offering a compelling analysis of theatrical practice, Christopher Innes and Maria Shevtsova explore the different rehearsal and staging principles and methods of such earlier groundbreaking figures as Stanislavsky, Meyerhold and Brecht, revising standard perspectives on their work. The authors analyse, as well, a diverse range of innovative contemporary directors, including Ariane Mnouchkine, Elizabeth LeCompte, Peter Sellars, Robert Wilson, Thomas Ostermeier and Oskaras Koršunovas, among many others. While tracing the different roots of directorial practices across time and space, and discussing their artistic, cultural and political significance, the authors provide key examples of the major directorial approaches and reveal comprehensive patterns in the craft of directing and the influence and collaborative relationships of directors. 0aTheatrical producers and directors1 aShevtsova, Maria,eauthor.08iPrint version: z9780521844499 0aCambridge Introductions to Literature.40uhttp://dx.doi.org/10.1017/CBO9781139016391zCambridge Books Online