02275nam a22003378a 4500001001600000003000700016005001700023006001900040007001500059008004100074020002600115020002900141040002400170050002600194082001500220100003500235245014400270264005200414300005900466336002600525337002600551338003600577490002100613500007300634520097700707650006401684650006101748776003501809830002201844856007101866CR9781139034944UkCbUP20180107143416.0m|||||o||d||||||||cr||||||||||||110301s2014||||enk s ||1 0|eng|d a9781139034944 (ebook) z9781107000247 (hardback) aUkCbUPcUkCbUPerda00aML410.T467 bS34 201400a780.922231 aSchuttenhelm, Thomas,eauthor.14aThe Orchestral Music of Michael Tippett :bCreative Development and the Compositional Process / [electronic resource]cThomas Schuttenhelm. 1aCambridge :bCambridge University Press,c2014. a1 online resource (338 pages) :bdigital, PDF file(s). atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier0 aMusic Since 1900 aTitle from publisher's bibliographic system (viewed on 09 Oct 2015). aWith extracts from the composer's letters, writings, interviews and broadcasts, and supported by evidence from his sketchbooks and manuscripts, The Orchestral Music of Michael Tippett explores Tippett's intentions and argues that the experiences that triggered his creative impulses are integral to understanding his music. In his discussion of Tippett's creative process, Thomas Schuttenhelm attempts to recapture the circumstances under which Tippett's orchestral works were created, to document how his visionary aspirations were developed and sustained throughout the creative cycle, and to chart how conception was transmuted from idea through to performance. Analysing Tippett's orchestral works throughout his long career, from the Symphonic Movement of 1931 to his final masterpiece The Rose Lake in 1991–3, Schuttenhelm explores each work in detail to provide a comprehensive commentary on one of the most influential British composers of the twentieth century. 0aTippett, Michael / 1905-1998 / Criticism and interpretation 0aOrchestral music / Great Britain / History and criticism08iPrint version: z9781107000247 0aMusic Since 1900.40uhttp://dx.doi.org/10.1017/CBO9781139034944zCambridge Books Online