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  <titleInfo>
    <title>Dionysus resurrected : performances of Euripides' The Bacchae in a globalizing world</title>
  </titleInfo>
  <name type="personal">
    <namePart>Fischer-Lichte, Erika.</namePart>
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  <genre authority="">Electronic books.</genre>
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    <dateIssued encoding="marc">2014</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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    <extent>1 online resource (258 pages) : illustrations.</extent>
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  <abstract>Dionysus Resurrected analyzes the global resurgence since the late 1960s of Euripides' The Bacchae. By analyzing and contextualizing these modern day performances, the author reveals striking parallels between transformational events taking place during the era of the play's revival and events within the play itself. Puts forward a lively discussion of the parallels between transformational eventsduring the era of the play's revival and events within the play itselfThe first comparative study to analyse and contextualize performances of The Bacchae that took place between 1968 and 2009 from t.</abstract>
  <tableOfContents>Dionysus Resurrected: Performances of Euripides' The Bacchae in a Globalizing World; Contents; Acknowledgments; Preface; Introduction; Re-enter Dionysus; The Topicality of The Bacchae; Theories of Sacrificial Ritual in the 1970s; From "Text" to "Performance": A New Theatre Aesthetics; Notes; References; Further Reading; Part I: Festivals of Liberation: Celebrating Communality; Chapter 1: The Birth Ritual of a New Theatre; Notes; References; Further Reading; Chapter 2: Celebrating a Communion Rite?; Notes; References; Further Reading; Chapter 3: Sparagmos and Omophagia; Notes; References.</tableOfContents>
  <tableOfContents>Further ReadingPart II: Renegotiating Cultural Identities; Chapter 4: On the Strangeness and Inaccessibility of the Past; Note; References; Further Reading; Chapter 5: Performing or Contaminating Greekness?; Notes; References; Further Reading; Chapter 6: In Search of New Identities; Notes; References; Part III: Productive Encounter or Destructive Clash of Cultures?; Chapter 7: Dismemberment and the Quest for Wholeness; Notes; References; Further Reading; Chapter 8: Transforming Kathakali; Notes; References; Further Reading; Chapter 9: Beijing Opera Dismembered; Notes; References.</tableOfContents>
  <tableOfContents>Further ReadingEpilogue; Name Index; Subject Index.</tableOfContents>
  <note type="statement of responsibility">Erika Fischer-Lichte.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Euripides</namePart>
    </name>
    <topic>Stage history</topic>
  </subject>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Euripides</namePart>
    </name>
  </subject>
  <subject>
    <name type="personal">
      <namePart>Euripides</namePart>
    </name>
  </subject>
  <subject authority="fast">
    <titleInfo>
      <title>Bacchae (Euripides)</title>
    </titleInfo>
  </subject>
  <subject authority="lcsh">
    <topic>Greek drama</topic>
    <topic>Modern presentation</topic>
  </subject>
  <subject authority="bisacsh">
    <topic>DRAMA</topic>
    <topic>Ancient, Classical &amp; Medieval</topic>
  </subject>
  <subject authority="fast">
    <topic>Greek drama</topic>
    <topic>Modern presentation</topic>
  </subject>
  <classification authority="lcc">PA3973.B23 F57 2013eb</classification>
  <classification authority="ddc" edition="23">882.01</classification>
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