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  <titleInfo>
    <title>Film noir</title>
  </titleInfo>
  <name type="personal">
    <namePart>Luhr, William.</namePart>
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  <genre authority="marc">bibliography</genre>
  <genre authority="">Electronic books.</genre>
  <genre authority="fast">Criticism, interpretation, etc.</genre>
  <originInfo>
    <place>
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    <place>
      <placeTerm type="text">Chichester, West Sussex</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Malden, MA</placeTerm>
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    <publisher>Wiley-Blackwell</publisher>
    <dateIssued>2012</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <abstract>Film Noir offers new perspectives on this highly popular and influential film genre, providing a useful overview of its historical evolution and the many critical debates over its stylistic elements. Brings together a range of perspectives on a topic that has been much discussed but remains notoriously ill-defined. Traces the historical development of the genre, usefully exploring the relations between the films of the 1940s and 1950s that established the ""noir"" universe and the more recent films in which it has been frequently revived. Employs a clear and intelligent writing style that makes this the perfect introduction to the genre. Offers a thorough and engaging analysis of this popular area of film studies for students and scholars. Presents an in-depth analysis of six key films, each exemplifying important trends of film noir: Murder, My Sweet; Out of the Past; Kiss Me Deadly; The Long Goodbye; Chinatown; and Seven.</abstract>
  <tableOfContents>Introduction -- Historical overview -- Critical overview -- Murder my sweet -- Out of the past -- Kiss me deadly -- The long goodbye -- Chinatown -- Seven : continuity with film noir -- Afterword.</tableOfContents>
  <note type="statement of responsibility">William Luhr.</note>
  <note>Includes bibliographical references and index.</note>
  <subject>
    <geographicCode authority="marcgac">n-us---</geographicCode>
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  <subject authority="lcsh">
    <topic>Film noir</topic>
    <geographic>United States</geographic>
    <topic>History and criticism</topic>
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  <subject authority="bisacsh">
    <topic>ART</topic>
    <topic>Film &amp; Video</topic>
  </subject>
  <subject authority="bisacsh">
    <topic>PERFORMING ARTS</topic>
    <topic>Film &amp; Video</topic>
    <topic>Reference</topic>
  </subject>
  <subject authority="fast">
    <topic>Film noir</topic>
  </subject>
  <subject authority="fast">
    <geographic>United States</geographic>
  </subject>
  <classification authority="lcc">PN1995.9.F54 L84 2012</classification>
  <classification authority="ddc" edition="23">791.43/6556</classification>
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    <titleInfo>
      <title>New approaches to film genre</title>
    </titleInfo>
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  <identifier type="stock number">D5496092-7A52-480D-873E-75071C0F2CC8 OverDrive, Inc.</identifier>
  <identifier type="uri">http://onlinelibrary.wiley.com/book/10.1002/9781444355956</identifier>
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    <recordIdentifier source="OCoLC">ocn785838321</recordIdentifier>
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