02114nam a22003138a 4500001001600000003000700016005001700023006001900040007001500059008004100074020002600115020002900141040002400170050002200194082001700216245012900233246004100362264005200403300005900455336002600514337002600540338003600566500007300602520095100675700004601626700004601672776003501718856004701753CR9781139024068UkCbUP20170413094209.0m|||||o||d||||||||cr||||||||||||110217s2013||||enk s ||1 0|eng|d a9781139024068 (ebook) z9780521768054 (hardback) aUkCbUPcUkCbUPerda00aML196 b.I58 201300a780.92/222304aThe Invention of Beethoven and Rossini :bHistoriography, Analysis, Criticism /cEdited by Nicholas Mathew, Benjamin Walton.3 aThe Invention of Beethoven & Rossini 1aCambridge :bCambridge University Press,c2013. a1 online resource (396 pages) :bdigital, PDF file(s). atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier aTitle from publisher's bibliographic system (viewed on 09 Oct 2015). aBeethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming 'Beethoven and Rossini' – a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories.1 aMathew, Nicholas,eeditor of compilation.1 aWalton, Benjamin,eeditor of compilation.08iPrint version: z978052176805440uhttp://dx.doi.org/10.1017/CBO9781139024068