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  <titleInfo>
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    <title>Victorian novel and the space of art</title>
    <subTitle>fictional form on display</subTitle>
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  <name type="personal">
    <namePart>Gilmore, Dehn</namePart>
    <namePart type="date">1980-</namePart>
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    <place>
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    <publisher>Cambridge University Press</publisher>
    <dateIssued>2013</dateIssued>
    <dateIssued encoding="marc">2014</dateIssued>
    <issuance>monographic</issuance>
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  <language>
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  <physicalDescription>
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    <extent>ix, 242 pages : illustrations ; 24 cm.</extent>
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  <abstract>"This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction"--</abstract>
  <tableOfContents>Machine generated contents note: Introduction: seeing how the Victorians saw; 1. Terms of art: reading the Dickensian gallery; 2. The difficulty of historical work in the nineteenth-century museum and the Thackeray novel; 3. 'Truly it was astonishing': the exhibition, the sensation novel, and the culture of the spectacular; 4. 'The interesting subject of the art of the future': Thomas Hardy and the historicity of taste; Conclusion: rethinking how we see the Victorians; Bibliography.</tableOfContents>
  <note type="statement of responsibility">Dehn Gilmore.</note>
  <note>Includes bibliographical references (pages 219-236)</note>
  <subject>
    <geographicCode authority="marcgac">e-uk---</geographicCode>
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  <subject authority="lcsh">
    <topic>English fiction</topic>
    <temporal>19th century</temporal>
    <topic>History and criticism</topic>
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  <subject authority="lcsh">
    <topic>Art and literature</topic>
    <geographic>Great Britain</geographic>
    <topic>History</topic>
    <temporal>19th century</temporal>
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  <subject authority="lcsh">
    <topic>Art in literature</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Arts in literature</topic>
  </subject>
  <subject authority="bisacsh">
    <topic>LITERARY CRITICISM / European / English, Irish, Scottish, Welsh</topic>
  </subject>
  <classification authority="lcc">PR830.A74 G55 2013</classification>
  <classification authority="ddc" edition="23">823.009357 GIN</classification>
  <classification authority="bisacsh">LIT004120</classification>
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      <title>Cambridge Studies in Nineteenth-Century Literature and Culture ; 89</title>
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  <identifier type="isbn">9781107044227 (hardback)</identifier>
  <identifier type="lccn">2013032791</identifier>
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