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  <titleInfo>
    <nonSort>The </nonSort>
    <title>Cambridge introduction to narrative</title>
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  <name type="personal">
    <namePart>Abbott, H. Porter.</namePart>
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    <place>
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    <publisher>Cambridge University Press</publisher>
    <dateIssued>2002</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>xiv, 203 p. : ill. ; 24 cm.</extent>
  </physicalDescription>
  <tableOfContents>Machine generated contents note: Chapter 1 Narrative and life 1 -- The universality of narrative 1 -- Narrative and time 3 -- Narrative perception 6 -- Chapter 2 Defining narrative 12 -- The bare minimum 12 -- Story and narrative discourse 14 -- The mediation (construction) of story 17 -- Constituent and supplementary events 20 -- Narrativity 22 -- Chapter 3 The borders of narrative 25 -- Framing narratives 25 -- Paratexts 26 -- The outer limits of narrative 27 -- Is it narrative or is it life itself? 31 -- Chapter 4 The rhetoric of narrative 36 -- The rhetoric of narrative 36 -- Causation 37 -- Normalization 40 -- Masterplots 42 -- Narrative rhetoric at work 46 -- Chapter 5 Closure 51 -- Conflict: the agon 51 -- Closure and endings 52 -- Closure, suspense, and surprise 53 -- Closure at the level of expectations 54 -- Closure at the level of questions 56 -- The absence of closure 57 -- Chapter 6 Narration 62 -- A few words on interpretation 62 -- The narrator 63 -- Voice 64 -- Focalization 66 -- Distance 67 -- Reliability 69 -- Free indirect style 70 -- Narration on stage and screen 72 -- Chapter 7 Interpreting narrative 76 -- The implied author 77 -- Underreading 79 -- Overreading 82 -- Gaps 83 -- Cruxes 85 -- Repetition: themes and motifs 88 -- Chapter 8 Three ways to interpret narrative 93 -- The question of wholeness in narrative 93 -- Intentional readings 95 -- Symptomatic readings 97 -- Adaptive readings 100 -- Chapter 9 Adaptation across media 105 -- Adaptation as creative destruction 105 -- Duration and pace 107 -- Character 109 -- Figurative language 111 -- Gaps 114 -- Focalization 115 -- Constraints of the marketplace 118 -- Chapter 10 Character and self in narrative 123 -- Character vs. action 123 -- Flat and round characters 126 -- Can characters be real? 127 -- Types 129 -- Autobiography 131 -- Life writing as performative 134 -- Chapter 11 Narrative contestation 138 -- A contest of narratives 138 -- A narrative lattice-work 142 -- Shadow stories 144 -- Motivation and personality 146 -- Masterplots and types 148 -- Revising cultural masterplots 150 -- Battling narratives are everywhere 152 -- Chapter 12 Narrative negotiation 156 -- Narrative negotiation 157 -- Critical reading as narrative negotiation 162 -- Closure, one more time 168 -- The end of closure? 171.</tableOfContents>
  <note type="statement of responsibility">H. Porter Abbott.</note>
  <note>Includes bibliographical references (p. 183-186) and index.</note>
  <subject authority="lcsh">
    <topic>Narration (Rhetoric)</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Fiction</topic>
    <topic>Technique</topic>
  </subject>
  <classification authority="lcc">PN3383.N35 A23 2002</classification>
  <classification authority="ddc" edition="21">809.923 ABC</classification>
  <identifier type="isbn">052165033X</identifier>
  <identifier type="isbn">0521659698 (pbk.)</identifier>
  <identifier type="lccn">2001037549</identifier>
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