<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <title>Shakespeare, trauma and contemporary performance</title>
  </titleInfo>
  <name type="personal">
    <namePart>Silverstone, Catherine.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Routledge</publisher>
    <dateIssued>2011</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>x, 175 p. : ill. ; 24 cm.</extent>
  </physicalDescription>
  <tableOfContents>Introduction -- "Honour the real thing?: Gregory Doran's Titus Andronicus in South Africa -- The legacy of colonisation: Don C. Selwyn's The maori Merchant of Venice and Aotearoa New Zealand -- Sexuality, trauma and community: The tempest, Philip Osment's This island's mine and gay sweatshop -- Theatres of war: Nicholas Hytner's Henry V.</tableOfContents>
  <note type="statement of responsibility">Catherine Silverstone.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Shakespeare, William</namePart>
      <namePart type="date">1564-1616</namePart>
    </name>
    <topic>Stage history</topic>
    <temporal>1950-</temporal>
  </subject>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Shakespeare, William</namePart>
      <namePart type="date">1564-1616</namePart>
    </name>
    <topic>Film adaptations</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Psychic trauma in the theater</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Psychic trauma in motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Psychic trauma in literature</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Violence in the theater</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Violence in motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Violence in literature</topic>
  </subject>
  <classification authority="lcc">PR3100 .S65 2011</classification>
  <classification authority="ddc">792.92 SIS</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Routledge studies in Shakespeare ; 4</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">9780415956451 (alk. paper)</identifier>
  <identifier type="isbn">0415956455 (alk. paper)</identifier>
  <identifier type="isbn">9780203862940 (ebk.)</identifier>
  <identifier type="isbn">0203862945 (ebk.)</identifier>
  <identifier type="lccn">2010050156</identifier>
  <recordInfo>
    <recordContentSource authority="marcorg">DLC</recordContentSource>
    <recordCreationDate encoding="marc">101203</recordCreationDate>
    <recordChangeDate encoding="iso8601">20161229124748.0</recordChangeDate>
    <recordIdentifier source="BD-DhUL">16566767</recordIdentifier>
  </recordInfo>
</mods>
