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  <titleInfo>
    <title>Master prints close-up</title>
  </titleInfo>
  <name type="personal">
    <namePart>Goldman, Paul.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">enk</placeTerm>
    </place>
    <place>
      <placeTerm type="text">London</placeTerm>
    </place>
    <publisher>British Museum</publisher>
    <dateIssued>2012</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>112 p. : ill. ; 22 cm.</extent>
  </physicalDescription>
  <abstract>Is a work of art still a work of art if it exists in several hundred identical examples? This introduction to masterpieces of printmaking reveals why prints can be considered to be every bit as original as any other visual art form.</abstract>
  <note type="statement of responsibility">Paul Goldman.</note>
  <subject authority="lcsh">
    <topic>Prints</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Prints</topic>
    <topic>Technique</topic>
  </subject>
  <classification authority="ddc">760 GOM</classification>
  <identifier type="isbn">9780714126791 (pbk.)</identifier>
  <recordInfo>
    <recordContentSource authority="marcorg">UKMGB</recordContentSource>
    <recordCreationDate encoding="marc">120215</recordCreationDate>
    <recordChangeDate encoding="iso8601">20161228162948.0</recordChangeDate>
    <recordIdentifier source="BD-DhUL">9646906</recordIdentifier>
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