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    <subfield code="a">Gombrich, E. H.</subfield>
    <subfield code="q">(Ernst Hans),</subfield>
    <subfield code="d">1909-2001.</subfield>
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    <subfield code="a">The story of art /</subfield>
    <subfield code="c">E.H. Gombrich.</subfield>
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    <subfield code="a">16th ed., expanded and redesigned</subfield>
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    <subfield code="a">London :</subfield>
    <subfield code="b">Phaidon Press, Ltd.,</subfield>
    <subfield code="c">1995.</subfield>
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    <subfield code="a">688 p. (some folded) :</subfield>
    <subfield code="b">ill. (some col.) ;</subfield>
    <subfield code="c">25 cm.</subfield>
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    <subfield code="a">Includes bibliographical references and index.</subfield>
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    <subfield code="t">Introduction: On art and artists --</subfield>
    <subfield code="g">1.</subfield>
    <subfield code="t">Strange Beginnings: Prehistoric and primitive peoples: Ancient America --</subfield>
    <subfield code="g">2.</subfield>
    <subfield code="t">Art For Eternity: Egypt, Mesopotamia, Crete --</subfield>
    <subfield code="g">3.</subfield>
    <subfield code="t">The Great Awakening: Greece, seventh to fifth century BC --</subfield>
    <subfield code="g">4.</subfield>
    <subfield code="t">The Realm of Beauty: Greece and the Greek world, fourth century BC to first century AD --</subfield>
    <subfield code="g">5.</subfield>
    <subfield code="t">World Conquerors: Romans, Buddhists, Jews and Christians, first to fourth century AD --</subfield>
    <subfield code="g">6.</subfield>
    <subfield code="t">A Parting of Ways: Rome and Byzantium, fifth to thirteenth century --</subfield>
    <subfield code="g">7.</subfield>
    <subfield code="t">Looking Eastwards: Islam, China, second to thirteenth century --</subfield>
    <subfield code="g">8.</subfield>
    <subfield code="t">Western Art in the Melting Pot: Europe, sixth to eleventh century --</subfield>
    <subfield code="g">9.</subfield>
    <subfield code="t">The Church Militant: The twelfth century --</subfield>
    <subfield code="g">10.</subfield>
    <subfield code="t">The Church Triumphant: The thirteenth century --</subfield>
    <subfield code="g">11.</subfield>
    <subfield code="t">Courtiers and Burghers: The fourteenth century --</subfield>
    <subfield code="g">12.</subfield>
    <subfield code="t">The Conquest of Reality: The early fifteenth century --</subfield>
    <subfield code="g">13.</subfield>
    <subfield code="t">Tradition and Innovation I: The later fifteenth century in Italy --</subfield>
    <subfield code="g">14.</subfield>
    <subfield code="t">Tradition and Innovation II: The fifteenth century in the North --</subfield>
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    <subfield code="g">15.</subfield>
    <subfield code="t">Harmony Attained: Tuscany and Rome, early sixteenth century --</subfield>
    <subfield code="g">16.</subfield>
    <subfield code="t">Light and Colour: Venice and northern Italy, early sixteenth century --</subfield>
    <subfield code="g">17.</subfield>
    <subfield code="t">The New Learning Spreads: Germany and the Netherlands, early sixteenth century --</subfield>
    <subfield code="g">18.</subfield>
    <subfield code="t">A Crisis of Art: Europe, later sixteenth century --</subfield>
    <subfield code="g">19.</subfield>
    <subfield code="t">Vision and Visions: Catholic Europe, first half of the seventeenth century --</subfield>
    <subfield code="g">20.</subfield>
    <subfield code="t">The Mirror of Nature: Holland, seventeenth century --</subfield>
    <subfield code="g">21.</subfield>
    <subfield code="t">Power and Glory I: Italy, later seventeenth and eighteenth centuries --</subfield>
    <subfield code="g">22.</subfield>
    <subfield code="t">Power and Glory II: France, Germany and Austria, late seventeenth and early eighteenth centuries --</subfield>
    <subfield code="g">23.</subfield>
    <subfield code="t">The Age of Reason: England and France, eighteenth century --</subfield>
    <subfield code="g">24.</subfield>
    <subfield code="t">The Break in Tradition: England, America and France, late eighteenth and early nineteenth centuries --</subfield>
    <subfield code="g">25.</subfield>
    <subfield code="t">Permanent Revolution: The nineteenth century --</subfield>
    <subfield code="g">26.</subfield>
    <subfield code="t">In Search of New Standards: The late nineteenth century --</subfield>
    <subfield code="g">27.</subfield>
    <subfield code="t">Experimental Art: The first half of the twentieth century --</subfield>
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    <subfield code="g">28.</subfield>
    <subfield code="t">A Story Without End: The triumph of Modernism.</subfield>
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    <subfield code="a">The Story of Art is one of the most famous and popular books on art ever published. For 45 years it has remained unrivalled as an introduction to the whole subject, from the earliest cave paintings to the experimental art of today. Readers of all ages and backgrounds throughout the world have found in Professor Gombrich a true master, who combines knowledge and wisdom with a unique gift for communicating directly his own deep love of the works of art he describes.</subfield>
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    <subfield code="a">The Story of Art owes its lasting popularity to the directness and simplicity of the writing, and also the author's skill in presenting a clear narrative.</subfield>
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    <subfield code="a">He describes his aim as 'to bring some intelligible order into the wealth of names, periods and styles which crowd the pages of more ambitious works', and using his insight into the psychology of the visual arts, he makes us see the history of art as 'a continuous weaving and changing of traditions in which each work refers to the past and points to the future', 'a living chain that still links our own time with the Pyramid age'.</subfield>
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    <subfield code="a">In its new format, the 16th edition of this classic work is set to continue its triumphant progress for future generations and to remain the first choice for all newcomers to art.</subfield>
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    <subfield code="a">Art</subfield>
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