03428cam a2200445 i 450000100090000000300080000900500170001700800410003401000170007502000290009204000320012104200080015308200220016110000280018324500910021126000410030226400850034330000340042833600210046233700250048333800230050849000420053150505830057352009480115665000330210465000210213765000480215865000450220665000350225165000440228665000680233065000400239885601060243890600450254494200120258995500620260199900190266395201500268295201500283217924093BD-DhUL20161226185015.0131031s2013    enka     b    001 0 eng    a  2013041783  a9781137020390 (hardback)  aDLCbengcBD-DhULerdadDLC  apcc00a700.4552223bMOV1 aMöller, Frank,d1963-10aVisual peace :bimages, spectatorship, and the politics of violence /cFrank Möller.  aLondon :bPalgrave Macmillan, c2013 1aHoundmills, Basingstoke, Hampshire ;aNew York, NY :bPalgrave Macmillan,c2013.  axiv, 259 p. :bill. ;c22 cm.  atext2rdacontent  aunmediated2rdamedia  avolume2rdacarrier0 aRethinking peace and conflict studies8 aMachine generated contents note: -- List of Figures -- PART I -- Introduction - Impressions: Stretching the Limits of Representations -- 1. Ambiguities, Approximations, Abstractions -- 2. The Participant Witness -- 3. Reflections on Photojournalism -- PART II -- 4. The Aftermath: Visions of Rwanda -- Portfolio 1: Rafiki Ubaldo, Temples of Memory -- 5. Visual Interventions in Rio de Janeiro's Culture of Violence -- 6. On Combatants and (Other) Victims -- Portfolio 2: Manuel Botelho, Aerogramas para 2010 -- 7. WHY - ARE - WE - SO - INVOLVED? -- Unfinished Business -- Notes.  a"This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images. Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image. This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace. "--cProvided by publisher. 0aViolencexPolitical aspects. 0aViolence in art. 0aDocumentary photographyxPolitical aspects. 0aVisual communicationxPolitical aspects. 7aART / Art & Politics.2bisacsh 7aPHOTOGRAPHY / Photojournalism.2bisacsh 7aPOLITICAL SCIENCE / International Relations / General.2bisacsh 7aPOLITICAL SCIENCE / Peace.2bisacsh423Cover imageuhttp://www.netread.com/jcusers2/bk1388/390/9781137020390/image/lgcover.9781137020390.jpg  a7bcbccorignewd1eecipf20gy-gencatlg  2ddccBK  brf04 2013-10-31irf04 2013-10-31 ONIX (telework) to Dewey  c141958d141958  00102ddc406700_455200000000000_MOV708NFIC9267901aDULbDULcGENd2016-12-26epurchasedo700.4552 MOVp482258r2016-12-26t1w2016-12-26yBK  00102ddc406700_455200000000000_MOV708NFIC9267902aDULbDULcGENd2016-12-26epurchasedo700.4552 MOVp482259r2016-12-26t2w2016-12-26yBK