03394cam a2200289 a 450000100090000000300080000900500170001700800410003401000170007501500150009202000150010703500230012204000540014504200080019905000200020724500730022726000460030030000340034644000500038050400510043050524980048165000300297965000280300965000160303770000240305370000270307713370200BD-DhUL20161122134908.0031010s2002    enka     b    001 0 eng c  a  2003277384  aGBA2-X9391  a0631207627  a(OCoLC)ocm49552239  aUKMcUKMdC#PdSYBdOCLCQdWCMdUMCdUMCdBD-DhUL  apcc00aN61b. C58 200202aA companion to art theory /cedited by Paul Smith and Carolyn Wilde.  aOxford :aMalden, MA :bBlackwell,c2002.  axix, 529 p. :bill. ;c26 cm. 0aBlackwell companions in cultural studies ;v5  aIncludes bibliographical references and index.00gPart. 1.tTradition and the academy.tIntroduction: Alberti and the formation of modern art theory /rCarolyn Wilde --tClassical concept of minesis /rGöran Sörbom ;tMedieval art theory /rHugh Bredin ;tNeoplatonist aesthetics /rSuzanne Stern-Gillet ;tRenaissance art theories /rFrancois Quiviger ;tTouch, tactility, and the reception of sculpture in early modern Italy /rGeraldine A. Johnson ;tSpiritual exercises of Leonardo da Vinci /rRobert Williams ;tAcademic theory,1550-1800 /rPaul Duro ;tRhetorical categories in the academy /rCaroline van Eck ;tPicturesque and its development /rAndrew Ballantyne --gpt. 2.tAround modernism.tAesthetics of Kant and Hegel /rJason Gaiger ;tE.H. Gombrich and the tradition of Hegel /rDavid Summers ;tGerman romanticism and French aesthetic theory /rWendy S. Mercer ;tExpression : natural, personal, pictorial /rRichard Shiff ;tReading artists' words /rRichard Hobbs ;tNietzsche and the artist /rMichael White ;tWittgenstein, description, and Adrian Stokes (on Cézanne) /rPaul Smith ;tModernism and the idea of the avant-garde /rPaul Wood ;tOn the intention of modern(ist) art /rFred Orton ;tAnti-art and the concept of art /rPaul N. Humble ;tMarcel Duchamp's readymades and anti-aesthetic reflex /rDavid Hopkins --gpt. 3.tCritical theory and postmodernism.tMarxism and critical art history /rDavid Craven ;tWalter Benjamin and art theory /rHoward Caygill ;tBakhtin and the visual arts /rDeborah J. Haynes ;tPeirce's visuality and the semiotics of art /rMichael Leja ;tConceptual art /rCharles Harrison ;tBarthes on art /rMargaret Iversen ;tFoucault and art /rRoy Boyne ;tDerrida and the Parergon /rRobin Marriner ;tWhat consciousness forgets : Lyotard's concept of the sublime /rRenée van de Vall ;tDeleuze on Francis Bacon /rIan Heywood ;tFeminisms and art theory /rMarsha Meskimmon ;tPsycho-phallus (qu'est-ce que c'est?) /rMignon Nixon --gpt. 4.tInterpretation and the institution of art.tRules of representation /rJohn Willats ;tGombrich and psychology /rRichard Woodfield ;tHermeneutics and art theory /rNicholas Davey ;tReciprocity and reception theory /rMichael Ann Holly ;tParadox of creative interpretation in art /rCarl Hausman ;tInterdisciplinarity and visual culture /rCharlotte Klonk ;tAgainst curatorial imperialism : Merleau-Ponty and the historicity of art /rPaul Crowther ;tInstitutional theory of art : theory and antitheory /rGarry L. Hagberg. 0aArtxPhilosophyxHistory. 0aArt criticismxHistory. 0aAesthetics.1 aSmith, Paul,d1956-1 aWilde, Carolyn,d1945-