Creative industries : contracts between art and commerce /
by Caves, Richard E.
Material type:
BookPublisher: Cambridge ; London : Harvard University Press, 2000 (2001 printing)Description: ix, 454 p. ; 24 cm.ISBN: 0674001648.Subject(s): Arts -- Economic aspects -- United StatesReview: "This book explores the organization of creative industries, including the visual and performing arts, movies, theater, sound recordings, and book publishing. In each, artistic inputs are combined with other, "humdrum" inputs. But the deals that bring these inputs together are inherently problematic: artists have strong views; the muse whispers erratically; and consumer approval remains highly uncertain until all costs have been incurred." "To explain the logic of these arrangements, the author draws on the analytical resources of industrial economics and the theory of contracts. He addresses the winner-take-all character of many creative activities that brings wealth and renown to some artists while dooming others to frustration; why the "option" form of contract is so prevalent; and why even savvy producers get sucked into making "ten-ton turkeys," such as Heaven's Gate."--BOOK JACKET.
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Dhaka University Library Fiction | Non Fiction | 338.47700973 CAC (Browse shelf) | Available | 411474 |
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| 338.19 SUS Sustainable agriculture and food security : | 338.19 SUS Sustainable agriculture and food security : | 338.19 SUS Sustainable agriculture and food security : | 338.47700973 CAC Creative industries : | 338.4791 GOT Tourism : | 338.4791 GOT Tourism : | 338.4791 HAP Promoting international tourism : |
Includes bibliographical references and index.
"This book explores the organization of creative industries, including the visual and performing arts, movies, theater, sound recordings, and book publishing. In each, artistic inputs are combined with other, "humdrum" inputs. But the deals that bring these inputs together are inherently problematic: artists have strong views; the muse whispers erratically; and consumer approval remains highly uncertain until all costs have been incurred." "To explain the logic of these arrangements, the author draws on the analytical resources of industrial economics and the theory of contracts. He addresses the winner-take-all character of many creative activities that brings wealth and renown to some artists while dooming others to frustration; why the "option" form of contract is so prevalent; and why even savvy producers get sucked into making "ten-ton turkeys," such as Heaven's Gate."--BOOK JACKET.
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