Re-Inventing the Book : challenges from the past for the publishing industry / (Record no. 247472)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 06496cam a2200541Mi 4500 |
| 001 - CONTROL NUMBER | |
| control field | ocn964918008 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20190328114817.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr ||||||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 161126s2016 xxk o 000 0 eng d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | NLE |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | NLE |
| Modifying agency | IDEBK |
| -- | EBLCP |
| -- | N$T |
| -- | OPELS |
| -- | YDX |
| -- | OCLCF |
| -- | OCLCQ |
| -- | OTZ |
| -- | OCLCQ |
| -- | U3W |
| -- | MERUC |
| -- | MERER |
| -- | OCLCQ |
| 019 ## - | |
| -- | 964334857 |
| -- | 964358856 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780081012796 |
| Qualifying information | (EPUB) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 0081012799 |
| Qualifying information | (EPUB) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9780081012789 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 0081012780 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)964918008 |
| Canceled/invalid control number | (OCoLC)964334857 |
| -- | (OCoLC)964358856 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | Z1003 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | LIT |
| Subject category code subdivision | 007000 |
| Source | bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 028/.8 |
| Edition number | 23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Banou, Christina, |
| Relator term | author |
| Affiliation | Assistant Professor in Book Policy and Publishing, Dept. of Archives, Library Science and Museology, Faculty of Information Science and Informatics, Ionian University, Corfu, Greece |
| 245 10 - TITLE STATEMENT | |
| Title | Re-Inventing the Book : challenges from the past for the publishing industry / |
| Medium | [electronic resource] |
| Statement of responsibility, etc. | Christina Banou. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Name of producer, publisher, distributor, manufacturer | Chandos Publishing, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2016. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (163 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 500 ## - GENERAL NOTE | |
| General note | Introduction: the continuing revolution of Gutenberg 1 1.1 The continuing revolution of Gutenberg: the publishing industry at a turning point 1 1.2 New worlds for old strategies, new words for old values 5 1.3 Toward a methodological and theoretical framework for publishing 10 1.4 The structure of the book 13 References 16 2 Reimagining the book: aesthetics in publishing 19 2.1 Setting the scene: from illustration to new multimedia technologies. Approaches and trends 19 2.2 The artistic identity of the book. |
| 500 ## - GENERAL NOTE | |
| General note | Publishers, readers and the democratization of taste 24 2.3 The aesthetics publishing chain-circle and its explanations 33 2.4 Reconstructing the book: the value of the paratext 42 2.5 Reader participation and personalized copies: new aesthetic and business models 57 2.6 Reconsidering the boundaries of the book: convergence 62 2.7 Recalling Renaissance woodcuts: from painted prints of Renaissance to colouring books of the digital era 65 2.8 Why aesthetics in publishing is still important. The aesthetic capital 67 References 70 3 Reengaging readers, rediscovering strategies 75 3.1 Reader engagement and the emergence of publishing strategies 75 3.2 Lessons from the past: reader participation in the publishing chain. |
| 500 ## - GENERAL NOTE | |
| General note | Case studies from Renaissance and the Baroque 78 3.3 Readersourcing 85 3.4 Rediscovering preorders 90 3.5 From patronage to crowdfunding 94 viii Contents 3.6 Short forms, serialization, |
| 500 ## - GENERAL NOTE | |
| General note | Re-considering values 133 5.2 Keep reinventing: challenges from the past for the publishing industry 139 5.3 A comment as epilogue. Time and the book (or reinventing ourselves) 145 References 146 Timeline 147 Index 149. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Front Cover; Re-Inventing the Book; Series Page; Re-Inventing the Book: Challenges from the Past forthe Publishing IndustryAMSTERDAM; Copyright; Dedication; Contents; Foreword; Preface and Acknowledgements; 1 -- Introduction: the continuing revolution of Gutenberg; 1.1 The continuing revolution of Gutenberg: the publishing industry at a turning point; 1.2 New worlds for old strategies, new words for old values; 1.3 Toward a methodological and theoretical framework for publishing; 1.4 The structure of the book; References; 2 -- Reimagining the book: aesthetics in publishing. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 2.1 Setting the scene: from illustration to new multimedia technologies. Approaches and trends2.2 The artistic identity of the book. Publishers, readers and the democratization of taste; 2.2.1 Towards the democratization of taste; 2.2.2 The role and concepts of book illustration and ornamentation; 2.2.3 Developing the artistic identity of the book; 2.3 The aesthetics publishing chain-circle and its explanations; 2.3.1 The aesthetics publishing chain-circle-circuit since Renaissance; 2.3.2 The book as a visual-valuable-viable object and its historical explanations. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 2.3.3 Visual information and consumption cultures from Vasari to the digital era2.3.4 Information and experience: the old printed book in terms of 'social media'. The case of Peregrinatio in Terram Sanctam; 2.4 Reconstructing the book: the value of the paratext; 2.4.1 What is paratext?; 2.4.2 Visual and verbal paratext; 2.4.3 Front matter; 2.4.4 Title page and cover; 2.4.5 Creating celebrities: frontispiece and the author's portrait; 2.4.6 The printed page; 2.4.7 The printer's mark; 2.4.8 Running titles -- page headlines; 2.4.9 Dedicatory letters -- epistles. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 2.4.10 Paratext, patronage and book promotion: added value for all2.4.11 Visual paratext, digital paratext and a comment; 2.5 Reader participation and personalized copies: new aesthetic and business models; 2.5.1 Personalized copies then and now; 2.5.2 From dedicatory letters of Renaissance to dedicatory copies and editions of the digital Age; 2.5.3 Reader engagement in the artistic identity of the book; 2.6 Reconsidering the boundaries of the book: convergence; 2.6.1 Convergence cultures; 2.6.2 Gamification and other opportunities & |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 2.7 Recalling Renaissance woodcuts: from painted prints of Renaissance to colouring books of the digital era2.8 Why aesthetics in publishing is still important. The aesthetic capital; References; 3 -- Reengaging readers, rediscovering strategies; 3.1 Reader engagement and the emergence of publishing strategies; 3.2 Lessons from the past: reader participation in the publishing chain. Case studies from Renaissance and the Baroque; 3.2.1 The case of Pietro Aretino in Renaissance Rome and Venice; 3.2.2 The case of Torquato Accetto in Baroque Naples; 3.2.3 The reader as corrector. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Books and reading. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Books. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Book industries and trade. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | LITERARY CRITICISM |
| General subdivision | Books & Reading. |
| Source of heading or term | bisacsh |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Book industries and trade. |
| Source of heading or term | fast |
| Authority record control number | (OCoLC)fst00836171 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Books. |
| Source of heading or term | fast |
| Authority record control number | (OCoLC)fst00836401 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Books and reading. |
| Source of heading or term | fast |
| Authority record control number | (OCoLC)fst00836454 |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Banou, Christina. |
| Title | Re-Inventing the Book. |
| Place, publisher, and date of publication | Chandos Publishing, 2016 |
| International Standard Book Number | 0081012780 |
| -- | 9780081012789 |
| Record control number | (OCoLC)957680275 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Materials specified | ScienceDirect |
| Uniform Resource Identifier | http://www.sciencedirect.com/science/book/9780081012789 |
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